Las óleos de todo Correggio

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Painting (From A to Z)

Details

39611

Abducation of Ganymede

mk150 c.1530 Canvas 163.5x70.5cm

40352

Abduction of Ganymede

mk156 1531 Oil on canvas 163x71cm

31608

Adoration of the Magi

mk74 84x108cm Milan, Pinacoteca di Brera

508

Adoration of the Shepherds

Gemaldegalerie, Dresden

31661

Adoration of the Shepherds

mk74 256.5x188cm Dresden,Gemaldegalerie

30972

Allegorie des vertus on La vertu heroique victorieuse des vices

mk70 Toile H.1.48 L.0.88 Paris,Musee du Louvre

20092

Allegory of the Vices (mk05)

Tempera on canvas,58 1/4 x 34 1/2''(148 x 88 cm).Cabinet des Dessins;entered the Louvre in 1661

20091

Allegory of the Virtues (mk05)

1529-1530 Tempera on canvas,58 1/4 x 34 1/2''(148 x 88 cm).Cabinet des Dessins;entered the Louvre in 1662

512

Allegory of Vice

Musee du Louvre, Paris

31669

Allegory of Vice

mk74 149x88cm Paris,Louvre

31670

Allegory of Vice

mk74 149x88cm paris,Louvre

511

Allegory of Virtue

1632-34 Musee du Louvre, Paris

31671

Allegory of Virtue

mk74 149x88cm Paris,Louvre

31599

Andrea Mantegna Madonna della Vittoria

mk74 Paris, Louvre

31632

Annunciation

mk74 115x157cm parma Galleria Nazionale

30482

Assumption of the Virgin

mk68 Fresco Parma,Parma Cathedral 1526-1530 Italy

40330

Assumption of the Virgin

mk156 1526-30 1093x1195cm

94754

Assumption of the Virgin

1526-1530 Type Fresco Dimensions 1093 cm x 1195 cm cyf

31646

Assumption of the Virgin,cupola

mk74 Parma Duomo

31647

Assumption of the Virgin,detail of the cupola

mk74 Parma, Duomo

31648

Assumption of the Virgin,detail with the apostles

mk74 Parma Duomo

31651

Assumption of the Virgin,detail with the Assumption

mk74 Parma, Duomo

31649

Assumption of the Virgin,details with angels bearing musical instruments

mk74 Parma,Duomo

31650

Assumption of the Virgin,details with angels bearing musical instruments

mk74 Parma,Duomo

31652

Assumption of the Virgin,details with Eve,angels,and putti

mk74 Parma,Duomo

31653

Assumption of the Virgin,details with Eve,angels,and putti

mk74 Parma,Duomo

31607

Campori Madonna

mk74 58x45cm Modena Galleria Estense

89366

Christ presented to the People

c. 1525-30, oil on wood, 99.7 x 80 cm, cjr

43012

Christ Taking Leave of His Mother

mk170 1512-1513 Oil on canvas 86.7x76.5cm

524

Coronation of the Virgin

Galleria Nazionale, Parma

31629

Coronation of the Virgin

mk74 215.5x330cm Parma, Galleria Nazionale

58460

Correggio famous frescoes in Parma seems to melt the ceiling of the cathedral and draw the viewer into a gyre of spiritual ecstasy.

Correggio's famous frescoes in Parma seems to melt the ceiling of the cathedral and draw the viewer into a gyre of spiritual ecstasy.

31664

Danae

mk74 161x193cm Roma, Galleria Borghese

42671

Danae

MK169 ca. 1532 Cloth 163.5x74cm Galleria Borghese Rome

31595

Danae,Detail of the two cupids

mk74 Rome, Galleria Borghese

522

Deposition

Galleria Nazionale, Parma

31634

Deposition

mk74 158.5x184.3cm Parma Galleria Nazionale

31636

Deposition,details

mk74 Parma, Galleria Nazionale

31637

Deposition,details

mk74 Parma,Galleria Nazionale

31614

Detail of an oval with a putto embracing a dog

mk74 Parma Camera di San Paolo

31621

Detail of the cupola with the apostles Peter and Paul

mk74 Parma, Church of San Giovanni Evangelista

31626

Detail of the putto to the side of the pendentive with Jerome and Matthew

mk74 Parma, Church of San Giovanni Evangelista

31609

Details of Adoration of the Magi

mk74 84x108cm Milan, Pinacoteca di Brera

31602

Details of Madonna and Child with the Young Saint John

mk74 Madrid, Prado

31598

Details of Modonna and Child with Saint Elizabeth and the Young Saint John

mk74 77x99cm Milan, Painacoteca di Brera

31606

Details of Rest on the Flight into Egypt with Saint Francis

mk74 123.5x106.5cm Florence, Uffizi Gallery

31622

Details of the cupola with the apostles Philip and Thaddeus,James the Less and Thomas,Andrew and Jomes the Great

mk74 Parma, Church of San Giovanni Evangelista

31623

Details of the cupola with the apostles Philip and Thaddeus,James the Less and Thomas,Andrew and Jomes the Great

mk74 Parma, Church of San Giovanni Evangelista

31624

Details of the cupola with the apostles Philip and Thaddeus,James the Less and Thomas,Andrew and Jomes the Great

mk74 Parma, Church of San Giovanni Evangelista

31617

Diana departing for the Hunt,fireplace

mk74 Parma, Camera di San Paolo

91727

Die Mystische Hochzeit der Hl. Katharina von Alexandrien

c. 1518 Medium oil on canvas Dimensions Deutsch: 28 X 24 cm cjr

517

Ecce Homo

National Gallery, London

43014

Ecce Homo

mk170 1525-1527 Oil on poplar 99.7x80cm

31627

Frieze depicting the Christian Sacrifice

mk74 Parma, Church of San Giovanni Evangelista, chapter house

31628

Frieze depicting the Christian Sacrifice

mk74 Parma, Church of San Giovanni Evangelista, chapter house

39610

Fupiter and I

mk150 c.1530 Canvas 163.5x74cm

514

Ganymede

1531-32 Kunsthistorisches Museum, Vienna

31668

Ganymede

mk74 163.5x70.5cm Vienna,Kunsthistorisches Museum

58459

Ganymede Abducted by the Eagle

Ganymede Abducted by the Eagle, one of the four mythological paintings commissioned by Federico II Gonzaga, is a proto-Baroque work due to its depiction of movement, drama, and diagonal compositional arrangement.

31667

mk74 163.5x70.5cm Vienna,Kunsthistorisches Museum

502

Jupiter and Io

1531-32 Art History Museum, Vienna

44898

Jupiter and Io

mk176 early 1530s Oil on canvas 64x28

58458

Jupiter and Io typifies the unabashed eroticism

Jupiter and Io (c. 1531) typifies the unabashed eroticism, radiance, and cool, pearly colors associated with Correggio's best work.

40353

Jupiter and lo

mk156 1531 Oil on canvas 163.5x70cm

56012

jupiter and lo

c.1530 ,oil on canvas,67.375x29.125 in,163.5x74 cm,kunsthistorisches museum,vienna,austria

89722

Kopf des Merkur

c. 1528 Medium oil on canvas cjr

30974

Le mariage mystique de sainte Catherine d'Alexandrie avec saint Sebastien

mk70 Bois H.1.05 L.1.02 Paris,Musee du Louvre

31665

Leda

mk74 152x191cm Berlin,Gemaldegalerie

31666

Leda

mk74 152x191cm Berlin,Gemaldegalerie

33487

Leda and the Swan

mk86 c.1531/32 Oil oncanvas 152x191cm Berlin,Gemaledgalerie,Staatliche Museen zu Berlin-Preubischer Kulturbesitz

21326

Leda and the Swan (mk08)

c.1531/32 Oil on canvas 152x191cm Berlin,Gemaldegalerie,Staatliche Museen zu Berlin-Preubischer Kulturbesitz

66255

Leda mit dem Schwan

Oil on canvas 152 x 191 cm 1531

70064

Leda mit dem Schwan

Medium oil on canvas Dimensions 152 X 191 cm

70641

Leda mit dem Schwan

Medium Oil on canvas Dimensions Expression error: Missing operand for *152 ?? 191 cm

515

Leda1

1531-32 Gemaldegalerie, Berlin

31631

Lunette with Saint John the Evangelist

mk74 Parma, Church of San Giovanni Evangelista above the entrance to the colisters

498

Lunette with St.John the Evangelist

Church of San Giovanni Evangelista

31658

Madona with Saint jerome

mk74 205.7x141cm Parma, Galleria Nazionale

28810

Madonna and Child

mk65 c.1515 Oil on panel

29030

Madonna and Child in Glory with Angels

mk65 OIl on panel 7 7/8x6 7/16in Uffizi, Gallery

31596

Madonna and Child with Angels playing Musical Instruments

mk74 20x16.3cm Florence, Uffizi

81241

Madonna and Child with infant St John the Baptist

oil on wood painting by Correggio, 1514 - 15, 45.0 x 35.5 cm, National Gallery of Victoria, Melbourne Date 1514 - 15 cyf

505

Madonna and Child with the Young Saint John

1516 Museo del Prado, Madrid

31601

Madonna and Child with the Young Saint John

mk74 48x37cm Madrid, Prado

31605

Madonna and Child with the Young Saint John

mk74 68x49cm Milan Museo del Castello Sforzesco

31640

Madonna del Latte

mk74 68.5x57cm Budapest,Szepmuveszeti Muzeum

31641

Madonna della Cesta

mk74 34x25cm London, National Gallery

516

Madonna della Cesta,

National Gallery, London

31633

Madonna della Scala

mk74 196x141.8cm Parma, Galleria Nazionale

31662

Madonna della Scodella

mk74 216.7x137.3cm Parma Galleria Nazionale

31600

Madonna with Saint Francis

mk74 299x245cm Dresden, Gemaldegalerie

31663

Madonna with Saint George

mk74 285x190cm Dresden,Gemaldegalerie

31642

Madonna with Saint Sebastian

mk74 265x161cm Dresden,Gemaldeglerie

44302

Madonna with St. Francis

1514 Oil on wood, 299 x 245 cm

89250

Madonna with St. Francis

1514(1514) Medium oil on wood cyf

506

Madonna with St.George

Gemaldegalerie, Dresden

496

Madonna with St.Jerome

1522 Galleria Nazionale, Parma

518

Madonna Worshipping the Child

Galleria degli Uffizi, Florence

31639

Madonna worshipping the Child

mk74 81x67cm Florence,uffizi

31603

Madonna Zingarella

mk74 49x37cm Naples, Museo di Capodimonte

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Correggio

Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.

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